![]() Time flows between paintings and – with it – their subjects, gestures and stains, certain elements. Because time, here, is liquid, it escapes any kind of containment, determination, date. These are not “laws”, but a movement that is intrinsic to the works and to the way of seeing them: a sense of time that is, in its most concrete dimension, out of time. Time for Everything and vice-versa suggests the terms for understanding what is going on here.
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